The industrial action taken by BBC staff in 1980 might have been an unexpected Sliding Doors moment in British pop culture. Their strike led to a number of episodes of Top of the Pops being cancelled that summer, including the one that Chris Sievey’s band The Freshies were scheduled to appear on.
They had just released their most accomplished single, the catchily-titled ‘I’m In Love With The Girl On The Manchester Virgin Megastore Check-out Desk’, and an appearance on primetime telly was seen as a breakthrough after years of toil. Instead, they slid back into obscurity, and a few years later Frank Sidebottom was born.
It was a gimmick that somehow stuck. Originally conceived as a Freshies super fan, the eternally upbeat Sidebottom soon became a cult figure in his own right, rapidly achieving the kind of success and recognition that Sievey had spent years dreaming of. Frank appeared on stage at Wembley, became a regular on TV, starred in a comic strip and even founded a football team, Timperley Big Shorts FC (average attendance: “28 people, 2 dogs and 1 puppet”). But as Frank’s universe continued to grow, its creator disappeared from view. Sievey spent much of the next 20 years inside Frank’s papier-mâché head.
Read the rest of my review at Little White Lies